
Day 335 6/6/14: Lest We Forget….


1. The young Florida woman who was attacked by a bull shark had a funny feeling about the dark water.
2. Find out why artists Marina Abramovic, Ed Ruscha and others have placed their art in a sunken vault at the bottom of the sea.
3. Whale hidden in Dutch landscape painting finally free.
4. Can new technology slow extinction?
5. Ever wondered what it’s like to live underwater for 31 days? Sure you have. And soon you’ll know.
Brought to you by the sketch comedy group Be Tiny!
Every so often I have to re-experience David Foster Wallace’s Kenyon Commencement Address. It’s been a while since I’ve taught it, so I pulled it out of the mothballs today and read it to my late afternoon English 101. They really loved it. I even heard a few exclamations of “Aww, that was good!” or “I feel like crying.”
I wish that someone had taught me early on (at age 15 or so), what David Foster Wallace tried to tell the students of Kenyon College in 2005: in order to stay sane in the face of all the heartbreak and misery that life brings, we must exercise control over “how and what we think.” We must cultivate discipline and awareness, so as not to be a slave to our thoughts. The class talked about the forces in the world that prevent us from keeping this truth “upfront in daily consciousness.” We talked about advertisements, movies, social media, cell phones that all increase our self-obsession, isolation and craving.
(A few hours later, when I sat down to write this, I thought of putting some sort of music or radio news report or something on in the background. For “company” which is how my mother once described how television. But I’m glad I didn’t. The light is nearly gone The traffic sounds like some ocean hum. I am easing into the night. I can feel my hands typing these words. I’m aware of the lengthening shadows.)
After class I gathered all of my messy papers and binders and walked out of the building. I saw an older man in a nice shirt and tie with a backpack. I knew he was a teacher, not a returning student. He looked at me and I smiled. I didn’t think my smile was particularly serious or constipated. But he said with a kind of empathetic resignation, “Another day, huh?”
I don’t know why it made me happy and reflective. I wanted to laugh. Like we were those two dogs in the Warner Brothers cartoon punching the factory time clock. And I thought it was so poignant and sort of tragic that each day of our lives no matter how dull or difficult is still “a day” and I thought how many of them I have wanted simply to end. It seems like something of a sin–not the depression so much as the mindlessness.
A few months ago, I wanted to rescue a few sentences from my diaries and burn them. I stopped keeping diaries because I got sick of all the clutter of old ledgers and notebooks and I just can’t imagine keeping one online. But I went to Skylight Books tonight and bought this blank sketchbook covered with lions that looked like lions from an old 60s kid’s book. I used to feel like I’d redeemed even the most “blah” day if I could write about it in a journal. It felt like I slowed time down a little, rescued something miraculous (and there always is) from the banal progression. Maybe keeping a diary was one way of keeping “the truth up front in daily consciousness.”
About a year ago I had a dream about David Foster Wallace. We were having a wonderfully deep conversation. Like me, DFW was obsessed with shark attacks and loved the humor of P.G.Wodehouse. In the dream we had so much to talk about, at least I thought we did, until he said not unkindly but abruptly, “Well, I’ve got to go take a shower now.” I stood outside the bathroom door in disbelief. Maybe he just wanted me to leave. But then I heard the water.He really did need to take a shower.
The next day I sort of felt close to DFW–after all we’d shared a dream. So I went to Skylight Books and bought his biography “Every Love Story is a Ghost Story.” D.T. Max writes about howWallace’s high school tennis team traveled around the state for tournaments. Once they were going to a Van Halen concert, but “ditched Wallace who was in the hotel room taking one of the long showers he was famous for” (10).
A couple days later, still high on this synchronicity (if that’s what you’d call it), I walked by the bookstore again. In the corner of the window I saw a little shark–almost like origami, haphazardly leaning against one of the Jeeves books by P.G. Wodehouse. In a window usually organized by theme (fire, Los Angeles, etc.) Jeeves and the shark seemed a bizarre and random pairing. But they made perfect sense to me.
This first story is about how orcas around the Farallon Islands up by San Francisco keep the local great white population in check. Nature is brutal, and orcas are smart, dispatching our heroes with “stuns” and “karate chops.”
The second piece is about the World Wildlife Fund’s support for SeaWorld. While I recognize that it’s impossible not to be a hypocrite in this world (To cite one example out of many in my life, I oppose industrialized fishing and factory farming and yet participate in by buying food for my cats), some of these ethical conflicts are really glaring and galling. It’s good for SeaWorld’s image to support the WWF, but how can the WWF fight to protect the vanishing habitat of wild animals with money from an organization that keeps whales in swimming pools? If you’re not too burned out, please sign the petition asking the WWF to end its relationship with SeaWorld. 
Please sign this petition to ask the European Commission and Regional Fisheries Management to put limits on shark fishing. According to the Shark Trust, three of the world’s top 20 shark fishing nations are European (Spain, France and Portugal). Current laws allow many shark species like short fin mako to be caught in unlimited numbers. Many of these sharks aren’t caught for meat. Trawls, long lining, and gill nets catch huge numbers of sharks as target species and as bycatch. One longliner can deploy up to 200 longlines in one set–lines that contain some 3,000 hooks and stretch for 60 miles. Without placing limits on the numbers of sharks caught, these destructive fishing methods are putting more pressure on animals whose numbers are already falling rapidly. We need to support the adoption of stricter laws for catch limits in Europe to prevent a collapse of Atlantic shark populations.
Thanks for adding your name & sharing this petition!
This probably isn’t even “bad-good” but what the hell….I like the look of fins cutting through snow.
Tonight I was lucky to attend a talk by Alan Weisman, author of The World Without Us and most recently Countdown: Our Last, Best Hope for a Future on Earth?
Here’s a few illuminating things I learned:
1. The world’s most effective form of contraception is the education of women.
2. Every four days we add one million people to the planet.
3. 40% of the non-frozen land on this planet is devoted to feeding one species: humans.
4. Debunking the myth that a decreasing population means a withering economy, Weisman cited Japan as the country that can teach the world how to “shrink and prosper.”
5. Japan is also the world’s largest producer of robots, some of which are designed to fill in gaps in the labor force and care for the country’s elderly population. Some of these robots are able to help elderly people into wheelchairs or into bed, but dealing with bathroom-related issues remains a challenge.
6. Some of these robots resemble giant teddy bears.
7. To provide and disseminate universal contraception care would cost about $8 billion dollars annually, the same amount we spent daily in the wars in Iraq and Afghanistan.
8. In Pakistan, abortion is punishable by death. Every year, 400, 000 women in Pakistan undergo dangerous, illegal abortions.
9. If universal contraception were available, the number of worldwide abortions each year would drop from 40 million to 14 million.
10. While “There’s no condom for consumption,”* lowering the number of people who consume is within our power.
*Weisman attributed this snappy saying to Paul Ehrlich, author of the controversial 1968 book “The Population Bomb.”
A while back I posted a shark painting from Dave White’s Apex series, but today I went to see White’s show at the Gusford Gallery on Melrose in Los Angeles. White’s 12 oil paintings of white sharks in motion are the most dynamic, beautiful and haunting shark images I’ve ever seen. Maybe it has something to do with his use of color (the purple stains that evoke both bruises and the color of the cosmos), but in “Apex,” White has tapped into that eerie eternally shape-shfting beauty and horror, grace and force that is the great white shark.
Each one of White’s numbered fish (“Apex l-XIII”) has a specific presence, personality and gravity. Like their real-life counterparts, they are perfectly, serenely adapted to their element. Composed of light and dark blues and purples, with energetic brushwork and blobs of black and white, the texture is thick when evoking the mass of the animal that has been alternately described as a “tank,” “freight train,” “submarine” and “bus.” But this heavy color is often balanced by a thin sheen near the gills and along the back that evokes both the massive shark’s surprising elegance and light filtered through the ocean’s surface.
Up close the skin of these sharks comes alive with a fury of thin lines, swipes, surprising dots and splatters that recall the chaotic scratches and battle scars that mark shark snouts in the wild. Each shark bears a unique mouth. “Apex V,” for example, has a grinning of unsettling pink maw somewhere between bubblegum and flesh. Michelle Schultz, Gusford Gallery’s warm and helpful director told me that patrons had dubbed “Apex V” the “Finding Nemo shark” on account of his smile. “Apex VII” and “Apex X” (shown above) have gobs that look like microcosms of the sea itself, the teeth like frantic white caps or the sails of doomed vessels. And the eyes! Ringed with half circles of lavender, or a hair-thin line of white, these aren’t the “lifeless doll’s eyes” of Quint, but orbs animated by a much more enigmatic intelligence that marine biologists have struggled to define.
Perhaps because “Apex XI” has blue and white skin like the Milky Way, I imagined sleeping on the gallery floor with all of these sharks floating above, their long drips of color seeping into my dreams.
“Apex” ends June 21, so if you’re in the Los Angeles area go, go! And if you’re not near L.A., it’s worth a pilgrimage, not just for shark lovers but for anyone who enjoys great painting.

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