
My New Hero


I have to admit, after showing Sharkwater to my class with its gruesome finning scenes, reading about the devastating effects of shark overfishing on coral reefs, and wondering if any of my teaching or writing or petitioning or protesting was doing any good at all, I was brought back to life by these amazing spectral GIFs from the no-doubt horrible tale of cinematic revenge known as “Ghost Shark.”
When I have more imaginative energy, I want to write a more worthy analysis of this multi-layered masterpiece…..
A cavalcade of shark chores at school: plastering the joint with handsome sea-blue flyers advertising Ralph Collier’s lecture, xeroxing piles of articles, realizing that not everyone is as utterly fascinated with all things shark as I am, although some students seem keen on learning more and one kind soul gave me a shark Pez dispenser.
I realize some of this lack of interest in sharks is not just disguised fear, but disgust. Sharks are fish. “Fish are gross,” one girl said. “They stink.” I thought of Jonathan Foer’s argument (I am too tired to reproduce it here) about fish being separated from us–living in the water they retain their otherness.
Another form of distance. Another barrier to overcome.
I described how beautiful the leopard sharks looked when I saw them in La Jolla, their spotted gold bodies rippling in the current. I gently suggested that our associations with smelly fish perhaps originated with the dead sea creatures laid out on slabs of ice in the market or languishing in filthy tanks.
I asked the class to write a few questions to ask Ralph Collier about shark behavior, attacks, etc.
A boy in the front row said, “I want to ask him if sharks have emotions.”
“Great question!” I exclaimed.
Although I felt too embarrassed to admit it, I’m still recovering from the crushing realization that this widely circulated shark-man love story was a hoax.
I marvel at how often discussions of animals illuminate human ignorance.
Why just today I was sharing this fascinating L.A. Times article on intrauterine cannibalism in sand tiger sharks with one of my classes. Although we’d already touched on this evolutionary oddity (embryos chewing through womb walls to eat their sibling competitors), I felt the subject deserved another go-round. I didn’t have much to add to the discussion except “Wow. Can you believe it?” until I neared the end of the piece and read this:
“In captivity, an alpha male sand tiger shark will guard a female when she shows signs that she will soon start ovulating.”
At various times in my illustrious career, I’ve been stunned by the dearth of knowledge that males between the ages of 19 and 25 have about female reproduction. Simply put, most guys in my classes have no idea what a period means. When I casually inquired if any males knew what ovulation meant, one fellow answered confidently, “When a girl has her period.” I made the sound of the losing game show buzzer. The girls giggled.
One young man finally explained eggs and fertility in an economical and tasteful way as his brethren looked on like hostages at the Lillith Faire.
I tried to lighten things up by asking the class to imagine if intrauterine cannibalism existed in humans.
I don’t think they quite get my particular brand of humor.
.
In diving class today, I fumbled with my fin straps far too long, continually adjusted and cleared an ill-fitting, constantly flooding mask, struggled to re-attach my weight belt and continued to totter and lurch Frankenstein style while trying to swim with my tank. In other words I assumed I would definitely be setting up some additional pool sessions.
Imagine my surprise when my dive teacher Greg said, “You did well today. We just get you a new mask and you’ll be ready for the boat trip next weekend.”
I removed my mask, hoping my face wasn’t smeared with snot.
“Yep.”
Leaden anxiety rooted me to the spot.
I looked at the faded portrait that hung over the pool: a gaping, tooth-ringed mouth of a great white framed by a porthole.
I uttered a silent prayer to the great fish: You’ll protect me, right?

I’m a bit burned out on these meme or motto or whatever it is, but I like the idea of the words “calm” and “love” being superimposed over the image of a great white.
More diving lessons today. Better. I didn’t feel like a helpless tumbling astronaut as much, though I was eternally vexed by the task of detaching the connector hose to my BC underwater. And putting on a wetsuit still feels like skull-fucking the Michelin man. But I felt so peaceful snorkeling across the pool, watching the glittering light patterns on the bottom, broad wavering bands of light like David Hockney’s swimming pool paintings.
Why is art so often my first way into nature?
I felt happy that I’d grown a little closer to becoming a better swimmer. Crossing the pool wearing my lovely blue split fins it hardly felt like swimming at all. And how strange that a deep-seated fear of sharks should lead me to something so pleasurable.
Writing about struggling with the wetsuit-as-Michelin-Man made me think of my sister Janet. I can’t really think of a single thing that Janet feared. Truthfully, she often had a bit of contempt for those who let fear paralyze them. Janet was pure fire, such a force of nature, that it was inconceivable to me that she would ever die. Continue reading
Once in a while you read the poem that articulates something you’ve been trying to say your entire life. This is one of those poems for me.
Animals & People: The Human Heart in Conflict with Itself
by Pattiann Rogers
Some of us like to photograph them. Some
of us like to paint pictures of them. Some of us
like to sculpt them and make statues and carvings
of them. Some of us like to compose music
about them and sing about them. And some of us
like to write about them.
like to write about them.Some of us like to go out
and catch them and kill them and eat them. Some
of us like to hunt them and shoot them and eat them.
Some of us like to raise them, care for them and eat
them. Some of us just like to eat them.
them. Some of us just like to eat them.And some of us
name them and name their seasons and name their hours,
and some of us, in our curiosity, open them up
and study them with our tools and name their parts.
We capture them, mark them and release them,
and then we track them and spy on them and enter
their lives and affect their lives and abandon
their lives. We breed them and manipulate them
and alter them. Some of us experiment
upon them.
upon them.We put them on tethers and leashes,
in shackles and harnesses, in cages and boxes,
inside fences and walls. We put them in yokes
and muzzles. We want them to carry us and pull us
and haul for us.
and haul for us.And we want some of them
to be our companions, some of them to ride on our fingers
and some to ride sitting on our wrists or on our shoulders
and some to ride in our arms, ride clutching our necks.
We want them to walk at our heels.
We want them to walk at our heels.We want them to trust
us and come to us, take our offerings, eat from our hands.
We want to participate in their beauty. We want to assume
their beauty and so possess them. We want to be kind
to them and so possess them with our kindness and so
partake of their beauty in that way.
partake of their beauty in that way.And we want them
to learn our language. We try to teach them our language.
We speak to them. We put our words in their mouths.
We want them to speak. We want to know what they see
when they look at us.
when they look at us.We use their heads and their bladders
for balls, their guts and their hides and their bones
to make music. We skin them and wear them for coats,
their scalps for hats. We rob them, their milk
and their honey, their feathers and their eggs.
We make money from them.
We make money from them.We construct icons of them.
We make images of them and put their images on our clothes
and on our necklaces and rings and on our walls
and in our religious places. We preserve their dead
bodies and parts of their dead bodies and display
them in our homes and buildings.
them in our homes and buildings.We name mountains
and rivers and cities and streets and organizations
and gangs and causes after them. We name years and time
and constellations of stars after them. We make mascots
of them, naming our athletic teams after them. Sometimes
we name ourselves after them.
we name ourselves after them.We make toys of them
and rhymes of them for our children. We mold them
and shape them and distort them to fit our myths
and our stories and our dramas. We like to dress up
like them and masquerade as them. We like to imitate them
and try to move as they move and make the sounds they make,
hoping, by these means, to enter and become the black
mysteries of their being.
mysteries of their being.Sometimes we dress them
in our clothes and teach them tricks and laugh at them
and marvel at them. And we make parades of them
and festivals of them. We want them to entertain us
and amaze us and frighten us and reassure us
and calm us and rescue us from boredom.
and calm us and rescue us from boredom.We pit them
against one another and watch them fight one another,
and we gamble on them. We want to compete with them
ourselves, challenging them, testing our wits and talents
against their wits and talents, in forests and on plains,
in the ring. We want to be able to run like them and leap
like them and swim like them and fly like them and fight
like them and endure like them.
like them and endure like them.We want their total
absorption in the moment. We want their unwavering devotion
to life. We want their oblivion.
to life. We want their oblivion.Some of us give thanks
and bless those we kill and eat, and ask for pardon,
and this is beautiful as long as they are the ones dying
and we are the ones eating.
and we are the ones eating.And as long as we are not
seriously threatened, as long as we and our children
aren’t hungry and aren’t cold, we say, with a certain
degree of superiority, that we are no better
than any of them, that any of them deserve to live
just as much as we do.
just as much as we do.And after we have proclaimed
this thought, and by so doing subtly pointed out
that we are allowing them to live, we direct them
and manage them and herd them and train them and follow
them and map them and collect them and make specimens
of them and butcher them and move them here and move
them there and we place them on lists and we take
them off of lists and we stare at them and stare
at them and stare at them.
at them and stare at them.We track them in our sleep.
They become the form of our sleep. We dream of them.
We seek them with accusation. We seek them
with supplication.
with supplication.And in the ultimate imposition,
as Thoreau said, we make them bear the burden
of our thoughts. We make them carry the burden
of our metaphors and the burden of our desires and our guilt
and carry the equal burden of our curiosity and concern.
We make them bear our sins and our prayers and our hopes
into the desert, into the sky, into the stars.
We say we kill them for God.
We say we kill them for God.We adore them and we curse
them. We caress them and we ravish them. We want them
to acknowledge us and be with us. We want them to disappear
and be autonomous. We abhor their viciousness and lack
of pity, as we abhor our own viciousness and lack of pity.
We love them and we reproach them, just as we love
and reproach ourselves.
and reproach ourselves.We will never, we cannot,
leave them alone, even the tinest one, ever, because we know
we are one with them. Their blood is our blood. Their breath
is our breath, their beginning our beginning, their fate
our fate.
our fate.Thus we deny them. Thus we yearn
for them. They are among us and within us and of us,
inextricably woven with the form and manner of our being,
with our understanding and our imaginations.
They are the grit and the salt and the lullaby
of our language.
of our language.We have a need to believe they are there,
and always will be, whether we witness them or not.
We need to know they are there, a vigorous life maintaining
itself without our presence, without our assistance,
without our attention. We need to know, we must know,
that we come from such stock so continuously and tenaciously
and religiously devoted to life.
and religiously devoted to life.We know we are one with them,
and we are frantic to understand how to actualize that union.
We attempt to actualize that union in our many stumbling,
ignorant and destructive ways, in our many confused
and noble and praiseworthy ways.
and noble and praiseworthy ways.For how can we possess dignity
if we allow them no dignity? Who will recognize our beauty
if we do not revel in their beauty? How can we hope
to receive honor if we give no honor? How can we believe
in grace if we cannot bestow grace?
in grace if we cannot bestow grace?We want what we cannot
have. We want to give life at the same moment
we are taking it, nurture life at the same moment we light
the fire and raise the knife. We want to live, to provide,
and not be instruments of destruction, instruments
of death. We want to reconcile our “egoistic concerns”
with our “universal compassion.” We want the lion
and the lamb to be one, the lion and the lamb within
finally to dwell together, to lie down together
in peace and praise at last. ![]()
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RIP DICKIE GOODMAN
I wrote a letter to the New Yorker re: their recent piece “Cape Fear” which is largely about OCEARCH. I tried to keep it brief, mostly questioning why they use brutal hook and haul methods, outdated tagging etc. Despite their current status as media darlings, I do believe people will eventually see the truth about OCEARCH’s shoddy science and macho spectacle.
I also learned about the suicide of Dickie Goodman, the zany mastermind behind my well-worn and much loved 45 of “Mr. Jaws” (#4 in 1975), not to mention earlier gems as “Energy Crisis ’74,” “Batman and his Grandmother” & “Frankentstein meets The Beatles.” Dickie shot himself back in 1989, but I didn’t find out until today when I decided to play a Youtube clip of “Mr. Jaws” for my baffled students. They laughed exactly once. “What IS this?” someone finally asked. Thank God they’d heard of Weird Al, so I could briefly outline the novelty record genre, although I just couldn’t summon the energy to explain K-Tel. 
Decayed. Abandoned. Immortal
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