Day 179: 12/21/13: The Great White Shark Song

Andy Brandy Casagrande IV is an Emmy-winning cinematographer and shark freak. You have to love a song with a lyric like: “Seven rows of teeth, Lorenzini in the front!”

For more on Andy, click here.
To learn about the Ampullae of Lorenzini click here.

Day 174 12/16/13: Sharks, Bad Grammar & The Mystery of Life

Dark Shadows

Dark Shadows (Photo credit: Wikipedia)

I endlessly complain about student writing. I am forever scrawling “AWK” or “Huh?” or even “Whaaaat?” along margins and above cryptic sentences that jerk and twitch between lazy slang and stiff, fake formality. I hate weird syntax, wordiness, foggy thinking, limp verbs and the epidemic misuse of words like “portray,”  “careless” and “depict.” I dread the insertion of the falsely fancy “Webster’s Dictionary defines,” invariably used to decode the most obvious words.

But once in a while, a slightly awkward sentence lumbers across the page bearing an odd gift in its clumsy paws. Like primitive special effects in monster movies, or wobbly tombstones and melting makeup on old “Dark Shadows” episodes, dopey sentences can cut through the confines of logic and expectation and help us see “beyond.”

While I criticized my class for the anthropomorphic tendencies of their first essay on Mary Oliver’s “The Shark,” strains persist in subsequent drafts:

“Due to its naivete, the shark was caught and killed,” or “Sharks and humans are similar in the sense that…neither of them can understand many aspects of life.”

As absurd and maddeningly vague as the second sentence is (“aspects” is a hallmark of the half-baked thesis), there is a promising glimmer of intrigue:

What are the mysteries of life that vex both human and shark?

I wonder about the limits of our sophisticated intellect, and their keen senses. I consider the loneliness of our respective otherness.

What does that black eye see when the white shark pops his head above the surface and “studies” the men in the boat?

Maybe it’s impossible to bridge the mystery between humans and animals without projecting, exchanging, blurring rational boundaries between man and fish.  But maybe selective, purposeful anthropomorphizing, like the accidental power of a sloppy, silly sentence, could open up some understanding between us.

I recently bought a watercolor of a shark wearing a crown and holding a scepter. I wanted the little painting because it was ridiculous and fun, but now I realize that in that picture’s absurdity there’s a certain feeling of justice restored, a reminder of the truth, of the way things should be: sharks are the natural rulers of the sea.

And I declare myself a most loyal subject to the rightful king.

Day 163 12/5/13: Close to Shore: Shark Sighting at Samoa Beach!

I have waited my entire life to see a dorsal fin rise from the surface in the tidal zone.

I love the curious dogs running toward the water, and the way that dark fin just disappears into the chop and chaos of the ocean.

Oh Beauty!  Oh Mystery of Life!

Day 147 11/19/13: Anatomy of a Shark Breach

Day 147 11/19/13: Anatomy of a Shark Breach

Ever wonder about the miraculous physics behind the white shark’s breaching behavior? Please refer to this handy chart from the folks at White Shark Advocacy.

Day 145 11/17/13: Poetry Mashup: On The Nature of Shark Attacks

This is a great exercise to defeat writer’s block. Take lines or groups of lines (selected at random or purposefully) from two different texts and combine them in a poem. What’s fun about this is that each text (especially two very different sorts of books) begins speaking in the cadence of the other and correspondences are revealed between music and also subject.

For this poem, I combined lines and whole stanzas/paragraphs from Roman poet/philosopher Lucretius’ imagespoem “On the Nature of Things (circa 1st century B.C.) and a 1975 book by George A. Llano called “Sharks: Attacks on Man.” I loved seeing how these two books spoke to one another—Lucretius discussing the nature of the soul and the body, Llano recounting the sometimes gruesome and terrifying accounts of shark attacks. There’s a tension I found between the fear of death and an attempt to understand the nature of existence thereby extinguishing that universal dread.  Here is a longish excerpt of my “poem”:

All the wounds were full of sand.

The rest of the soul dispersed through all the body

Half moon incisions, leaving the bones exposed

Are we to say that the soul resides complete in each of the pieces?

I dove from the wharf and headed out into the sound.

There was a constant cloud of minnows

Earth, and sea and sky and life in all its forms

From a shark’s point of view all humans must look like dreadful swimmers.

I don’t know if it was a fin or a tail.

I knew it was some kind of fish.

But things are made of atoms; they are stable

until some force comes, hits them hard, and splits them.

I saw the shark throw the woman out of the water and then I saw it grab her again.

I’ve shown that things cannot be made

from nothing, nor, once made, be brought to nothing….

The shark let go disappearing in a cloud of blood.

“Let me die, let me die, I am finished,” she said on the beach.

Words pass through walls and slip past lock and key,

And numbing cold seeps to our very bones.

The reports of men adrift at sea

imitating liquid notes of birds

little by little the men learned

As it was a moonlit night, and during some moments very clear, I was able to observe that strange figures crossed very close to us..until at a given moment I felt they were trying to take away the corpse, pulling it by the feet…I clutched desperately the body of my companion and with him we slid…

For if in death it’s painful to be mauled

and bitten by beasts, why would it be less cruel

to be laid on a pyre and roast in searing flames

or to be put to smother in honey, or grow stiff

with cold atop a slab of icy stone

or be squeezed and crushed beneath a load of earth?

When the body and soul have been divorced

then nothing whatever to us, who shall not be

can happen

Keep close to your companions.

Swim smoothly in retreating.

Keep your eye on the shark.

Day 136 11/8/13: The Sharks of English 101

Going through the notes I took during student presentations, I realized I have the rough beginnings of a poem on the weird and wonderful variety of sharks in the ocean.

So often I find these words together:

vulnerable, beautiful, strange.

English: Shortfin mako shark (Isurus oxyrhinchus)

English: Shortfin mako shark (Isurus oxyrhinchus) (Photo credit: Wikipedia)

Sometimes ugly is lucky.

The translucent goblin hates the sun.

Too deep for fishermen,

his nose is a flattened sword

to study currents.

When pulled into the upper world,

the Shortfin mako rebels

&  aborts her eggs

Other things we know:

Nurses travel long distances for love.

Porbeagles play seaweed games.

Megalodon’s jaws were a tunnel, a gateway

crushing whale skulls like grapes.

The angel (also called the sand devil)

lies motionless on the ocean floor

waiting for a hapless mollusk,

and captured in the swirling, indiscriminate sweep

of the fisherman’s trawl.

Who has seen the flickering southern lantern?

Been ambushed by a shaggy-bearded woebegong?

The poisonous flesh

of the slow, drowsy Greenland shark

will make you drunk.

Its teeth are dense, yellowed icicles.

It sneaks up on sleeping seals,

while the twirling, breaching

spinner shark can only be called

an ecstatic hunter.

Day 130 11/2/13: How To Tell A True Shark Story

What a fabulous night of art, conversation and all things shark at the Hero Complex Gallery. My favorite pieces in the very Quint-centric (not a criticism) JAWS-tribute art show, were those that riffed on the movie’s less well-worn lines (although all of the dialogue is threadbare if you’re a JAWS geek), and its unforgettable, but only briefly glimpsed faces.  Aaron Glasson’s “The Harbormaster,” is a psychotropic take on that smiling old salt who emerges, pipe-clenched-firmly-in-teeth from a dockside shed, an oasis of eccentric calm amid the rabid, reward-hungry shark hunters and then is gone.

Gorgeous Jaws-themed cookies, a fascinating presentation by Jaws production designer Joe Alves, insanely life-like replicas of Hooper, Quint and Brody and Ben Gardener’s head. “Smile You Son of a Bitch” closes Nov. 3.  If you live in L.A. and love JAWS or sharks, please go and support the show. You can buy some great art for as little as $20 and support Pangeaseed’s shark conservation efforts.

As transcendently JAWS-geeky as the evening was, the true highlight for me came afterwards when my friends and I were lucky enough to have dinner with Ralph and Cindy Collier and talk sharks and drink wine and eat very late into the evening. The waitresses seemed to linger and eavesdrop as Ralph told stories of unlucky abalone divers of mysterious tooth fragments. I’m delighted and surprised by the ease with which Ralph dismantles myths and clichés about shark behavior. He patiently answered my questions about stories that have long haunted me like the 1959  attack on skin diver Robert Pamperin whose body was never found.  Such cases often support the theory that sharks “eat people,” that the hapless souls disappear down the ravenous shark’s gullet.  But according to Ralph, studies of tides and currents offer a more realistic possibility– the remains are often carried or pulled out into the oblivion of the deep sea.

In “The Things They Carried,” Tim O’Brien writes that war stories are never really about war. “They’re about friendship. Sunlight.”  I would argue that shark stories are also mystery stories about what it means to be animal and human and that like O’Brien’s Vietnam stories, even the true shark stories carry the deep dreamy resonance of myth, of nightmare, of the collision of worlds–human & animal, land & sea, tellable & untellable.

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Day 126 10/29/13: Shark Miscellany #3

hqdefaultA hodgepodge of shark/marine welfare news & oddities:

1.Check Out Five Designs Inspired by Ocean Predators

2. Australia: Please keep rejecting OCEARCH! 

3. Greenpeace Serves “Shark fin Soup” to protest New Zealand’s finning laws

4. Death at Seaworld author David Kirby on CNN Vs. Seaworld

5. Would you like to see a shark throw up? Okay, here you go! 

Day 114 10/17/13: Shark Miscellany #2

Today’s assortment of shark (& shark related news):

Five Myths about Fishing

16-year-old spots white shark off La Jolla 

Fatal Shark Attack in New Zealand

The cookie cutter shark strikes again

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Day 111 10/14/13: Not So Mindless: Inside the White Shark Brain

Great white shark (Carcharodon carcharias) off...

Great white shark (Carcharodon carcharias) off South Africa (Photo credit: Wikipedia)

I wanted to call this entry “God don’t make Junque” but I felt the reference might be too obscure. Still, I feel compelled to tell you that the late 1970s often return to me in a blur of tote bag inscriptions: Le Bag. Le Junk. Le Junque. (This was also the era of Le Car). Sometimes I crave the simple, homely popular humor of that era, but mostly I remember how stupid it all was.

(Strenuous transition to shark-related subjects)

The white shark, however, is not stupid.

After watching the great white dissection movie, I wanted to know more about the shark brain and found this fascinating article on white shark intelligence.

ENJOY!

P.S. This isn’t related, but it is FABULOUS…..